It is easy to forget that Quincy Jones' Soul Bossa Nova, most famous now for its use as the Austin Powers theme, was first used onscreen in Sydney Lumet's somber The Pawnbroker.
To my mind, each of these describes the same world: de Chirico, Brancusi, Gaudi, the 1973 Czech film Fantastic Planet, Borges' “Tlon, Uqbar, Orbis Tertius,” Satie ’ s Trois Gymnopédies, Bosch’s Garden of Earthly Delights, Gulliver's Travels , Cirque du Soleil , Brian Quinette’s Invisible Library, both the Codex Seraphianus and the Voynich Manuscript, the library at Alexandria, the game of chess and the numbered (but not the titled) chapters of Calvino's If, on a Winter's Night, a Traveler . And Barcelona.
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